There are 24 examples, with two in each of the twelve keys. Each key is denoted by its number in clock notation. Be aware that 'key' here means 'root note of dominant chord'. The chord G7, for example, strictly speaking is in the key of C but even so it is listed as being in the key of G. If the time signature is not 4/4, or the feel is triplet rather than straight, it is indicated in red in order to draw your attention to it.
Key |
Clock |
Chord |
BPM |
Time |
Feel |
Audio |
Tablature |
1 |
A7 |
100 |
4/4 |
Straight |
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95 |
4/4 |
Straight |
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2 |
Bb7 |
140 |
4/4 |
Straight |
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100 |
4/4 |
Straight |
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3 |
B7 |
130 |
4/4 |
Straight |
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100 |
4/4 |
Straight |
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4 |
C7 |
140 |
4/4 |
Straight |
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140 |
4/4 |
Straight |
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5 |
Db7 |
140 |
4/4 |
Straight |
|||
130 |
4/4 |
Straight |
|||||
6 |
D7 |
140 |
4/4 |
Straight |
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140 |
4/4 |
Straight |
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7 |
Eb7 |
130 |
4/4 |
Straight |
|||
140 |
4/4 |
Straight |
|||||
8 |
E7 |
150 |
4/4 |
Straight |
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100 |
4/4 |
Straight |
|||||
9 |
F7 |
140 |
4/4 |
Straight |
|||
140 |
4/4 |
Straight |
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10 |
Gb7 |
130 |
4/4 |
Straight |
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90 |
4/4 |
Straight |
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11 |
G7 |
110 |
4/4 |
Straight |
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110 |
4/4 |
Triplet |
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12 |
Ab7 |
140 |
4/4 |
Straight |
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140 |
3/4 |
Straight |